‘1917’ Producer Breaks Down “Complexities” of Filming in One-Shot Style Sam Mendes' ambitious World? War ?I epic — nominated for 10 Oscars, including best picture — follows two British soldiers who ...

There are plenty of gorgeous movies up for the Best Picture nomination for the 2020 Academy Awards, but few are as technically astounding as 1917. The film follows young World War I soldiers, Lance ...

Allie Gemmill is the Lead News Editor at Collider. Previous bylines can be found at Bustle, Teen Vogue, Inverse, ScreenRant, SheKnows, VICE, and Atom Tickets. The first reactions to Sam Mendes' latest ...

During the epic final scene of 1917, actor George MacKay swerved through 500 extras. He unsuccessfully avoided a collision. The final scenes in arguably one of the best World War I movies took ...

"1917," the Oscar favorite for sound editing and mixing, utilized new techniques and equipment to achieve an innovative soundscape. In planning the sound design for “1917,” supervising sound editor ...

"1917" is a technical achievement to be admired, but is deceptively shallow and offers nothing past a first viewing. Sam Mendes' film won seven BAFTAs, including best film and best director over ...

Screenwriter Krysty Wilson-Cairns and actor George MacKay were integral parts of Sam Mendes' uniquely collaborative cinematic adventure. After directing back-to-back Bond films “Skyfall” and “Spectre, ...

1917 is an upcoming movie set in World War I, which follows two British soldiers as they race through enemy territory with a message that could save hundreds of lives. The first trailer for 1917 ...

Sam Mendes turns a family story from the Great War into a terrifyingly immersive movie experience, even if it does cheat a bit. Richard Trenholm was CNET's film and TV editor, covering the big screen, ...

Sam Mendes filmed his suspenseful beat-the-clock thriller in what appears to be one continuous take. It's an impressive feat — but it makes the WWI movie feel like an overly polished one-shot wonder.

A pair of Sam Mendes’ trusted filmmaking partners — cinematographer Roger Deakins and production designer Dennis Gassner — returned to work on the director's World War I film, but in entirely new ways ...