After two years of extensive renovations to its brutalist home, London’s Hayward Gallery has reopened with a major retrospective dedicated to German photographer Andreas Gursky. “Having a great ...

Andreas Gursky didn’t spend long off the top of the most-expensive-photograph-sold list. After being eclipsed by Cindy Sherman this past... Andreas Gursky didn’t spend long off the top of the ...

The Parrish Art Museum will present the work of the German artist Andreas Gursky, featuring more than 20 large- and small-scale photographs from the 1980s to the present—many of which have not ...

A chaotic traffic circle in Cairo, a thronging stock-exchange floor in Chicago, a rave in Germany, a political rally in North Korea, a factory farm in Japan—all are images from Andreas Gursky’s ...

For more than a decade, their massive images of stock exchanges, Brutalist facades, and opera houses were a must-have for top collectors. Photographs by members of the Düsseldorf School—a group of ...

No photographic work of the last decade has been as arresting as that of Andreas Gursky, the German lensman whose first major American retrospective has just opened at the Museum of Contemporary Art.

That an Andreas Gursky exhibition (24 January-22 April) is opening the refurbished Hayward Gallery on its 50th anniversary is symbolic of the shifts in art over those five decades. Then, art museums ...

If your knowledge of Andreas Gursky’s enormous photographs is limited to meticulously detailed, vividly colored long shots of offices, factories and a 99 Cents Only store, you are in for a surprise.

The German photographer’s vast, high-detail images play wonderfully with reality and artifice – though at the expense of human individuality Read Rowan Moore’s review of the new-look Hayward Gallery ...

Photographer Andreas Gursky is featured in a major retrospective at the newly reopened Hayward Gallery in London. His spectacular photographs aim to dissect and reassemble the world. Solar panels ...

Andreas Gurksy’s monumental photographs fill the viewer with awe – but are huge works like his still relevant in the age of the smartphone camera? Jason Farago thinks not. You almost never see human ...