Older women, even middle-class women, are living with unbearable stress. Don’t believe me? Well, look around you. The stress ...

Taiki Waititi’s take on Klara and the Sun is, unsurprisingly, more of a comedy than Kazuo Ishiguro’s 2021 dystopian novel (it ...

At first sight, Dominik Moll’s latest release, Case 137, might look like a police procedural, or a docudrama about a specific ...

"Chiaroscuro" - "light-dark", usually applied to bold contrasts within a single painting - isn't a term I'd have thought a ...

A tray of water, a metallic plate piled with salt, a bubble-producing plastic stick. The kind of tat that looks so cheap you ...

Music can be a life-healing catalyst, the untrammelled essence of heart and mind conveyed human and raw from the soul.

Over the last 30 years or so, the Avalanches have proved themselves to be samplers supreme and masters of the cut-up, ...

What a delightful show this is: a big hit at this year’s Edinburgh Fringe and now enjoying an extended run at Soho Theatre, ...

Many epic biopics make a messy spread of their protagonist's life (the overrated Oppenheimer is a prime example). Not this ...

Ibsen's powerful study of hypocrisy gleams and bristles in the close-up intimacy of the bijou Jermyn Street Theatre. Richard Eyre's version, first seen at the Almeida in 2013, presents the play, its ...

At the start of theartsdesk’s third foray into the wonders of this year’s London Film Festival, let us pause to look back at ...

Alex Gibney’s documentary Musk is extraordinary, scathing and very long. It clocks in at three hours and 55 minutes – the LFF ...