Nobody could have possibly predicted that Chalamet was going to play "Outlaw Blues," "Three Angels," and "Tomorrow Is a Long Time" when he hosted Saturday Night Live

Tutor to the stars and session pro Larry Saltzman shares what it was like to teach Chalamet the nuances of Dylan's playing, which the actor recently showcased on Saturday Night Live

Actor Timothée Chalamet has recently opened up about the weight gain he underwent for the Bob Dylan biopic, A Complete Unknown. The music drama directed by James Mangold earned strong reviews from critics and audiences alike and Chalamet has been nominated for Best Actor nomination at the 97th Academy Awards for his performance.

The “Dune” actor said he “turned over every stone” to fully embody the iconic folk singer in the Oscar-nominated biopic.

Timothée Chalamet was the first actor to be a host and musical guest on "Saturday Night Live." It's the latest stunt to promote "A Complete Unknown" to fans and the Academy Awards panel, alike.

Timothée Chalamet made another stop on his awards season promotional tour this weekend by pulling a double shift on “Saturday Night Live,” hosting as himself and singing like Bob Dylan, the rock legend he plays in the Oscar-nominated film “A Complete Unknown.”

Timothée Chalamet channeled Bob Dylan, whom he portrays in his latest film, 'A Complete Unknown,' as he performed as musical guest on the Jan. 25 episode of 'Saturday Night Live.' The star first sang a medley of 'Outlaw Blues' and 'Three Angels,

Timothee Chalamet said he gained 20 pounds to play Bob Dylan in 'A Complete Unknown.' 'Believe it or not, I was thinner than the guy,' he said.

On Sunday, March 2, the 97th-annual Academy Awards ceremony will be presented by the Academy of Motion Picture Arts and Sciences at the Dolby

Timothée Chalamet reveals that part of his Bob Dylan preparation for 'A Complete Unknown' required him to gain 20 pounds.

It might at first seem obvious why filmmakers won’t leave the subject of Bob Dylan alone. Search “Dylan” and “movies,” and the list — from documentaries like “Don’t Look Back” (1967) to fictionalized treatments like “I’m Not There” (2007) — turns out to be surprisingly extensive.