351 reactions · 42 shares | On MAR 11 at 8 PM we begin streaming the final ballet in THREE SIDES OF BALANCHINE, Stravinsky Violin Concerto. Representing Balanchine's signature neoclassical style and set to an Igor Stravinsky score, this 1972 masterwork is an exemplar of their landmark 20th-century collaboration. Catch the accompanying Inside NYCB presentation on MAR 9 at 8 PM. Both are available to view through MAR 18. | New York City Ballet | Facebook
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351 reactions · 42 shares | On MAR 11 at 8 PM we begin streaming th…
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George Balanchine’s Theme and Variations is a classical ballet in miniature, complete with tutus, tiaras, and a central pas de deux. In both choreography and tone it reads as a dazzling tribute to Imperial Russia. Theme and Variations is onstage in Program 7 >> http://bit.ly/216Uubq | San Francisco Ballet
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George Balanchine’s Theme and Variations is a classical ballet in m…
34.3K viewsMar 26, 2016
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12K views · 361 reactions | Soloist Jules Mabie and Principal Dancer Isabella LaFreniere taking charge in George Balanchine's Symphony in Three Movements. Experience our co-founder's trademark streamlined aesthetic this winter on the Innovators & Icons program: nycballet.com/innovatorsandicons | New York City Ballet | Facebook
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12K views · 361 reactions | Soloist Jules Mabie and Principal Dancer I…
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20K views · 872 reactions | Soloist Erica Pereira dazzles as the female lead in Valse Fantaisie, George Balanchine’s romantic work set to Mikhail Glinka’s sweeping score. Last Thursday, she and Daniel Ulbricht tackled the short-but-sweet ballet alongside four corps de ballet dancers. There’s one more opportunity to see Valse Fantaisie this season on the All Balanchine program MAY 25 eve: nycballet.com/balanchinespring | New York City Ballet | Facebook
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20K views · 872 reactions | Soloist Erica Pereira dazzles as the femal…
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Unpopular Opinion: Balanchine Ruined Ballet
Unpopular Opinion: Balanchine Ruined Ballet
Dec 3, 2017
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9.2K views · 629 reactions | In talking through Agon's Gailliarde and Coda, Soloist Sara Adams illustrates how aesthetic restraint gives way to technical extremism in Balanchine's 1957 masterwork, which she says "could've been choreographed yesterday." Don't miss Agon this spring on the Masters at Work: Balanchine & Robbins III program: nycballet.com/balanchinerobbins3spring | New York City Ballet | Facebook
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9.2K views · 629 reactions | In talking through Agon's Gailliarde …
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1K reactions · 170 shares | Cozy up with your loved ones to enjoy the...
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Balanchine's Rubies dazzles with irresistible energy—a bold burst b…
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